120 shows, 2 days ago
The Hidden Brain helps curious people understand the world – and themselves. Using science and storytelling, Hidden Brain's host Shankar Vedantam reveals the unconscious patterns that drive human behavior, the biases that shape our choices, and the triggers that direct the course of our relationships.
120 shows, 2 days ago
The Hidden Brain helps curious people understand the world – and themselves. Using science and storytelling, Hidden Brain's host Shankar Vedantam reveals the unconscious patterns that drive human behavior, the biases that shape our choices, and the triggers that direct the course of our relationships.
11 shows, a day ago
A Sci Fi Space Radio Drama. New episodes every Thursday night! Join the colonists of Port Wallace as they explore the sweeping landscapes of a far-away planet teeming with towering forests and sentient alien species!
7 shows, 12 days ago
Get the inside scoop at Hamilton High School from its finest group of teachers (improv group Big Grande). Contains Explicit Content. Listener Discretion Advised.
258 shows, 18 days ago
Classical Music Podcasts from the Isabella Stewart Gardner Museum
50 shows, 6 days ago
From the Top, hosted by acclaimed concert pianist Christopher O'Riley, showcases the music, stories, and unique humor of America's best young classical musicians.
31 shows, a year ago
Each episode, acting coach Dan Rodandan teaches young and up-and-coming stage and screen and TV and film actors and actresses his acting secrets.
3 shows, 8 years ago
Music and interviews from Chicago's premier period-instrument orchestra, Baroque Band. http://www.baroqueband.org
6 shows, 11 years ago
Join Scott Allen Perry [THESAP] as he journeys through the bowels of Hollywood and other sensory overloaded lands on his quest to clean up this dirty business known as SHOW....... business. In addition to a barrage of AWARD WINNING SHORT FILMS, this series will feature 6 original SAPISODES. Each SAPISODE features the finest selection of SAP blips and clips and the work of the hottest/coolest/badassestist selection of artists, musicians, and OTHER. This one of a kind podcast will include segment goodies like: "Beat to Death Poetry" with THESAP and Dirty Jenny "Quernzy's Corner" with red hot Quernzy and a wide variety of lingerie & fruit. "The Poncecast" with Josh "The Ponce" Perry, star of Flea of Fury, The Trouble With Syndromes, and Bro Back Mountain. You'll also get exclusive BLOG CLIPS and other filmed goodies sponsored by the good folk at www.blogsweatandbeers.com. All this... including the occasional high speed BEER-CHUG... and much, much... oh so much... more.
2 shows, 5 years ago
Podcasts from creation
32 shows, 6 years ago
Podcast oficial da revista de música electrónica Dance Club [Portugal//Brasil]. www.danceclub.pt | www.danceclubmag.com.br This is the official podcast from portuguese Dance Club Magazine. Enter www.danceclub.pt for more details.
2 shows, 5 years ago
Podcasts from creation
2 shows, 6 years ago
Put your best foot forward with the Walking Heads podcast. Walking Heads make off the beaten track interactive audio walking tours specialising in music, comedy, literature, film, historical and cultural subjects and places. Hear clips from the tours plus exclusive sketches and outtakes recorded on location on tour. Walking Heads tours are available to buy as MP3 files, packaged with maps, photos and info, and smartphone apps. To download more exclusive content, find out more about Walking Heads and buy the tours, go to www.walkingheads.net.
9 shows, 4 years ago
The Artifact of the Month series introduces our online visitors to treasured and fascinating items at Dance Collection Danse (DCD). Focussed on Canada’s theatrical dance history, DCD’s collection dates back to the mid-1800s and includes materials such as costumes, props, sets, backdrops, make-up, choreographic notes, photographs, moving images, playbills, souvenir programs, publicity documents, journals, notation scores, correspondence, business records, newspaper clippings, scrapbooks, artworks, designs, radio transcripts, oral history recordings and books. Here, we present a featured artifact with accompanying related imagery narrated by a podcast. Welcome to Canada’s colourful dance heritage.
1 shows, 7 years ago
HANS THIES LEHMANN - The position of the spectator in theatre today   The spectator has become the central focus of reflection on performance and theatre since the theoretical/practical shift to the problem of what is the experience of an artistic (or artistically-motivated) gesture. This shift brings into focus the fundamental questions of spectating as an activity. This lecture will focus on several examples of different spectating as an activity. This lecture will focus on several examples of different spectating positions, and will in particular concentrate on a re-reading of the ancient concept of Anagnorisis, in the light of the debate around the polemics against »theatralicality«, which in a different understanding has become accepted as a positive qualification of performance art practice. HANS THIES LEHMANN is Professor of Theatre Studies at Johan Wolfgang Goethe-Universität, Frankfurt on Main, Germany and directs Master Program in Dramaturgy there. His numerous publications include: Theater und Mythos, Essays zu Theatertexten ... His seminal work Postdramatisches Theater has been translated into many languages, and he has also been widely publication on literary theory, contemporary theatre aestetics, and film.
1 shows, 7 years ago
Ilari Valbonesi - The Paradigm of Listening (Sound, Voice, Body, Audience, Radio Art Sound is attractive. It catches the ear, enchants, disturbs, and scares. But it is also imperative. Sound is both a means and an end. The decisive interest devoted to the "strange" reflexivity of sound became a paradoxical instance of art, music and philosophy in the twentieth century. Further, it has encouraged the emergence of a genuine "paradigm of listening" from which I take steps to trace the event of a conceptual category of plastic art so called Sound Art : Art of Sound, that reflecting on itself, defines its own historical context. Sound hits us where our disposition is already a move towards the "given" sound, for that hearing which accords and affords us whatever there really is to hear. Which means there is an "eventual" sound, which happens in-between me and the things in-between me and others: Sound originates "elsewhere" even though we are implicated. The sound of the voice is also erotic. It's like an intercourse in between own and alien. It's magnetic and it orients us in space, it defines boundaries and mixes the real and the imagined. We can experience the public nature of the audience, the spatiality of sound in its symbolic occurrences in buildings that accommodate the aesthetic experience of sound: the theatre, concert hall, the square from the gallery, and the auditorium of the woods. But this is not the proper meaning of sound in space, nor qualifies its access to a space. Sound is more of a timeless space. The body itself is an instrument that records its environment while reconfiguring existing environments. In 2004 I coined the phrase ‘Acusmatic ethics’ to describe the interspecific character of sound and its synthetic temporality. If we understand that listening to something is to record it, recording itself is also a kind of ‘answering’ behavior. Obviously, radio, tapes, samplers are able to isolate, alter and focus the processes of distribution and use of sound. But in this direction, "synthetic" claims is more of a "critique" of instruments and traditional research, including electronic, plastic art that belongs to music "educated" and that "popular" and doesn’t seem to characterize a specific field. This brought me to think of Radio as ethical space of sound and special environment of trading cultures and languages of contemporary art. written by: Ilari Valbonesi
1 shows, 7 years ago
Octex, Jernej Marušič, (text by: Luka Zagoričnik) Hidden behind the name Octex is the Ljubljana-based artist Jernej Marušič, who started appearing under this name, a shorter version of Organic Crackle and Tone EXperiments, in the late nineties of the previous century – as a follower of contemporary currents in electronic music and a lover of analogue sound synthesisers. His first released composition ‘Nigljana’ was included in a varied compilation of Slovene electronic music Elektrotehnika Slavenika from the year 2000, which was issued with wide acclaim as a supplement to the British music monthly The Wire. His LP debut ‘Idea Lashna’, by and large one of the most groundbreaking and creative achievements in the Slovene electronic scene, was released in 2002 under Tehnika Records label, having wide reverberations also abroad. The critics recognised it as a top-notch product following the stripped-down aesthetic characteristic of musicians signed under the German label Basic Channel, while the album offered a finely tailored mix of techno, ambient music, and dub as an echo and a reaction to contemporary, nervous sound landscape of urban circles. The album earned Marušič the then influential Slovene music award ‘Bumerang’, awarded by Studio City programme of the Slovene National Television, while in France it was voted one of the ten finalists for the electronic music award presented by Radio France International. That said, Marušič’s music making does not stick to proven recipes and a solidified sound aesthetic. In an on-going, restless search for a new sound, Octex absorbs various trends that schizophrenically spring from the field of electronic musics, incorporating them again and again in its own music in a distinctly unique and recognisable manner. Already with his next album ‘Variations’, released by RX:TX in 2005, Marušič found himself in an altogether new world, which drew on a tense and intense techno connection between Berlin and Detroit, traversed by dub, soft sound textures, and complex, seemingly unstructured rhythms, with which he stepped out of the prescribed matrix 4/4 and which have today become a trademark for Marušič’s work. Around that time, Marušič also started to regularly appear live; he did remixes for well known artists, like Laibach and Ultra-Red, while reverberations of his work also took him across our borders. He performed, for example, in a London-based series Sprawl, in Club Transmediale in Berlin, in Dispatch in Belgrade, and at Exit Festival in Novi Sad. With the album in question, Octex also signed to the home RX:TX label, in the frame of which he performed alongside artists under labels such as Raster-Noton, contributed tracks to two international compilations ‘Progress’ and ‘Progress EX 0.4’, both released by the mentioned label, and was featured on a highly appreciated Slovene compilation ‘Trans Slovenia Express Vol.2’, dedicated to the cult band Kraftwerk and released by the British Mute Records. Earlier this year, RX:TX released Octex’s long-awaited new album titled ‘Every Sound Tells a Story’, which is this time lined more explicitly with an analogue sound of modular sound synthesisers, sifted through digital technology. Individual tracks from the album were inspired by fieldwork recordings, which are in a processed form blended into each track. Dino Lalić, a music critic for Radio Student, wrote the following about the album. ‘Its sound readily admits techno, dub, and ambient influences, with none of them standing out in particular. The fact that these influences remain merged offers a myriad of interpretations. Nobody is right and whoever says he is – is inevitably wrong’. These words fitly capture the essence of the restless, yet sound-wise well-tailored creativity of Jernej Marušič, which he lately also incorporates into improvisation, both in his solo performances and in his work in the trio Ago Tela, which includes, besides Marušič, also DJ Dojajo and Mario Marolt, while at the same t
1 shows, 7 years ago
TAO G. Vrhovec Sambolec, (text by: Luka Zagoričnik) A composer of contemporary music, clarinettist and electronica musician, sound artist and maker of multimedia environments Tao G. Vrhovec Sambolec creates in all of the mentioned areas, while retaining his individuality and recognisability in each of the fields. This does not only unveil his acute sonic sensibility and a careful consideration of its traits but also an ear for a sound environment through which meanings are disclosed on different levels – social, artistic, architectural, and political. These elements are intertwined in a clear and distilled but never rigid concept. Tao first graduated at the Trondeheim Conservatory of Music in Norway as an instrumentalist, clarinettist, and then continued his studies at the Royal Conservatory in The Hague, the Netherlands, where he received another BA from music composition and an MA from ArtScience programme at the Interfaculty Image and Sound. As a composer, he has produced a series of works for smaller chamber, percussion, and other ensembles, which were performed at home and abroad. In his early period, he collaborated a lot with Marko Peljhan; later his works were performed in renowned international contemporary music festivals, such as Contemporanea in Italy, Gaudeamus Music Week, the Netherlands, and Forum Nueur Music in Germany. Tao G. Vrhovec Sambolec is active also in the field of free improvised music. In 2003, Vrhovec and the contrabassist Tomaž Grom established the duo Tilt, although a project with this name had been detected already in 1999 with the album ‘The Double’ in collaboration with the poet Primož Čučnik. Even prior to this, the project was called Muskafiber and featured the composer and accordionist Drago Ivanuša. The music of this period relied heavily on structural elements through the form of poem, poetry, singing, and speech, and often drifted into spontaneous, improvised soundscapes. Today, Tilt touches upon contemporary sonority in a digital milieu, drawing its expressivity from a liminal space between acoustic and electronically processed sounds. This space in-between is also the locus of spontaneous communication. But even though it is grounded in free improvisation, the improvising nevertheless suggests a composing sensibility that addresses through a wide spectrum of sounds, timbres, and real-time digitally processed sounds. Tilt released an album under the Slovene L’innomable label and received many good reviews in the national and international press, among other also in the British music monthly The Wire. The duo was successfully performing in different European capitals, as well as collaborated with numerous internationally acclaimed musicians. In the field of mixed media art practices, Tao gained further recognition with, for example, a series of installations, space interventions titled ‘Virtual Hole’ and ‘Virtual Mirror’. Recently, he is enjoying a growing international reputation also in the field of sound art, especially through his collaborations with the American musician and theoretician Brandon LaBell, author of ‘Background Noise – Perspectives on Sound Art’, one of the more influential discussions of sound art. Their last collaboration was the book and a CD ‘Manual for the Construction of a Sound as a Device to Elaborate Social Connection’ for the project ‘Virtual Mirror – Sound’. In this context, Tao this year received a ‘Hybrid Arts Honourable Mention’ at Ars Electronica in Linz for the work ‘Virtual Mirror – Rain’. A fusion of music, improvisation, and his interactive installation research can be seen in his work ‘Inside Out’, which he co-created with the acclaimed Austrian composer and trombonist Radu Malfatti. Tao has presented his works in Mexico, the Netherlands, Germany, Great Britain, Spain, Turkey, and elsewhere. Tao G. Vrhovec Sambolec is not only one of the most visible contemporary Slovene artists but – with his cycle of lectures, sound events, and concerts Bitshift t
1 shows, 7 years ago
TAO G. Vrhovec Sambolec, (text by: Luka Zagoričnik) A composer of contemporary music, clarinettist and electronica musician, sound artist and maker of multimedia environments Tao G. Vrhovec Sambolec creates in all of the mentioned areas, while retaining his individuality and recognisability in each of the fields. This does not only unveil his acute sonic sensibility and a careful consideration of its traits but also an ear for a sound environment through which meanings are disclosed on different levels – social, artistic, architectural, and political. These elements are intertwined in a clear and distilled but never rigid concept. Tao first graduated at the Trondeheim Conservatory of Music in Norway as an instrumentalist, clarinettist, and then continued his studies at the Royal Conservatory in The Hague, the Netherlands, where he received another BA from music composition and an MA from ArtScience programme at the Interfaculty Image and Sound. As a composer, he has produced a series of works for smaller chamber, percussion, and other ensembles, which were performed at home and abroad. In his early period, he collaborated a lot with Marko Peljhan; later his works were performed in renowned international contemporary music festivals, such as Contemporanea in Italy, Gaudeamus Music Week, the Netherlands, and Forum Nueur Music in Germany. Tao G. Vrhovec Sambolec is active also in the field of free improvised music. In 2003, Vrhovec and the contrabassist Tomaž Grom established the duo Tilt, although a project with this name had been detected already in 1999 with the album ‘The Double’ in collaboration with the poet Primož Čučnik. Even prior to this, the project was called Muskafiber and featured the composer and accordionist Drago Ivanuša. The music of this period relied heavily on structural elements through the form of poem, poetry, singing, and speech, and often drifted into spontaneous, improvised soundscapes. Today, Tilt touches upon contemporary sonority in a digital milieu, drawing its expressivity from a liminal space between acoustic and electronically processed sounds. This space in-between is also the locus of spontaneous communication. But even though it is grounded in free improvisation, the improvising nevertheless suggests a composing sensibility that addresses through a wide spectrum of sounds, timbres, and real-time digitally processed sounds. Tilt released an album under the Slovene L’innomable label and received many good reviews in the national and international press, among other also in the British music monthly The Wire. The duo was successfully performing in different European capitals, as well as collaborated with numerous internationally acclaimed musicians. In the field of mixed media art practices, Tao gained further recognition with, for example, a series of installations, space interventions titled ‘Virtual Hole’ and ‘Virtual Mirror’. Recently, he is enjoying a growing international reputation also in the field of sound art, especially through his collaborations with the American musician and theoretician Brandon LaBell, author of ‘Background Noise – Perspectives on Sound Art’, one of the more influential discussions of sound art. Their last collaboration was the book and a CD ‘Manual for the Construction of a Sound as a Device to Elaborate Social Connection’ for the project ‘Virtual Mirror – Sound’. In this context, Tao this year received a ‘Hybrid Arts Honourable Mention’ at Ars Electronica in Linz for the work ‘Virtual Mirror – Rain’. A fusion of music, improvisation, and his interactive installation research can be seen in his work ‘Inside Out’, which he co-created with the acclaimed Austrian composer and trombonist Radu Malfatti. Tao has presented his works in Mexico, the Netherlands, Germany, Great Britain, Spain, Turkey, and elsewhere. Tao G. Vrhovec Sambolec is not only one of the most visible contemporary Slovene artists but – with his cycle of lectures, sound events, and concerts Bitshift t
1 shows, 7 years ago
Vasja Progar - (text by Luka Zagoričnik) Born in 86, Vasja Progar is one of the youngest makers in the field of contemporary music in Slovenia, an insightful and critical thinker, a graduate of biotechnology and a former student of composition and music theory under Uroš Rojko at the Academy of Music in Ljubljana, whose radicality and faithfulness to his own expression made him quit this institution to embark on a study of cognitive systems and interactive media at the University Pompeu Fabra in Barcelona. This compact sentence only neatly discloses Progar’s creativity in the area of music. Young as he is, Progar already presented his compositions in the Slovenian Philharmonic in the frame of the festival Slowind in 2009 and at the Slovene Music Days in the year 2010. His transition from the 2008 composition for choir ‘Ay, Green Are All the Highlands’, a remake of the Slovene folk song, to his later works is abrupt, incorporating and illustrating the tendencies of certain other young Slovene composers, Progar’s colleagues, Matej Bonino and Petra Strahovnik for example, with whom Progar collaborated in the intermedia performance for chamber ensemble, a dancer/singer, live electronics, and video, meaningfully titled ‘Futturismo Hurra!!’, which in its core paid tribute to the historical movement of futurism via the futurist poem of the same title by Luciano Folgore. The intermedia nature of the work, which combines dance, movement, environmental and electronic sounds, and sounds of acoustic instruments, reveals the tendencies of the three young artists, who used to organise discussions, round tables, workshops, and other gatherings together with their colleagues from Škuc Gallery, with which they were boldly breaking down the stuck-up and conservative ways of thinking that overwhelmingly prevail in Slovene classical music. Vasja Progar goes farthest among his colleagues. His 2009 composition ‘Close to Silence’, performed by the acclaimed Slovene contemporary wind ensemble Slowind, is anchored in the current reflections on silence, which are – following John Cage – unwinding in contemporary music for the past twenty years. In this four-part composition, Progar constitutes silence through different perceptions: as a resonance, as latent energy, as absence in relation to sound, as tension and abstraction in relation to music. Which can also be non-music, a reflection, bound to the listener and his/her perception. And it is precisely here that Progar touches upon his idea, which he presents as ‘a focus on research and an unveiling of human perception through art form’. Today, Progar enacts this idea, this search in numerous art environments, besides the music and sound ones, also in multimedia and interactive performances. These include video artists, dancers, and poets, as for example in collaborations with Spanish, Chinese, Japanese, and Lebanese poets presented at the Ljubljana-based festival Live Literature in the years 2009 and 2010. Progar has opened up the thresholds of our perception and the senses even more in his interactive installation ‘Threshold’, where he – negotiating the limits of our perception – researches and reveals the boundary lines between perception and interpretation, pursuing an interpretation that is pushed into the elusive sphere of the illogical by the working of the installation itself. In his work ‘Sub / Consciousness’, Progar investigates the space between the conscious and the unconscious by using different audiovisual stimulants, which take the form of pre-prepared sound textures, measurements of the heartbeat rate or body’s blood pressure, and other visual stimuli mediated by the video by Ana Čigon and Rot Pulojva. These are then submitted to further sound manipulation and positioned into the space of the conscious and the unconscious, into a space through which we enter and exit the real and the virtual. The piece was presented at the exhibition and series of sound events, installations, and perf
1 shows, 7 years ago
Co-effectuation: Maja Delak and Luka Prinčič alias Wanda & Nova deViator (text by: Tea Hvala) The collaboration between Maja Delak and Luka Prinčič began last year with the performance Ways of Love and continued with Frozen Images – the latter was credited to pseudonyms Wanda and Nova deViator. Maja Delak is this year’s recipient of the Prešeren Foundation Award, a choreographer and dancer, who has behind her a considerable number of collaborations with different musicians, dancers, actors, and choreographers. The same goes for the musician, DJ, and intermedia artist Luka Prinčič, who first appeared as a performer precisely in the joint projects with Maja Delak, while in this exchange, Wanda picked up the microphone for the first time, wrote the lyrics for their trippy electro tracks, and also sang them. Their projects intertwine many – often colliding – languages: rhythm, voice, music, noise; video, photography, theory; manifestoes, poetry. It seems that their reparatory investigation, this courageous picking up from all over, wagered on the possibility of their own surprise over the outcomes of their collaborative process and over what may emerge from their overlapping, dissonances, resonances, slips, and congruencies. It seems that their wager is won – as they have offered to the home audiences a new aesthetics and politics; well, at least to that part of the audience who had missed or overlooked the Ljubljana-based queer dissidents from the 80s. Maja Delak and Luka Prinčič's performative events scream with punk ethics and kitchy porn chic aesthetics, which come together also in Western grassroots or DIY feminism of the “third wave”. I was reminded of the fact that this feminism skirted the borders of our country precisely at their appearance at the International Feminist and Queer Festival Red Dawns, where Frozen Images resonated as a genuine manifesto! It was a moment of relief and joy and empowerment, because the authors intentionally and unbendingly, passionately and sexily, approached the themes that are rarely dealt with in our space, certainly not at the same time: lust for enjoyment, anxiety, hypersexualisation and pornification of our bodies, violence, idealisation of love, and of course – the motor of everything – consumerism. Ways of Love meander between the sampled, or temporarily “frozen”, scenes of two types of gender roles: those marked with violence and those founded on consensual submission and dominance. The insight into how to become aware of the power relations in relationships and how to break the vicious circle of violent love is disclosed in the performance precisely with the emptying of form – which could not be other than violent and painful. The second performance event, Frozen Images, raised a possibility of stirring up and overcoming the violence we exert over ourselves under the pressure of buy-and-sell images of Sex Appeal, Beauty, Health, Youth, and Success – with laughter. With lust. With objectifying to our own taste. With our own perverseness and again – with love. This sumptuous and made-for-all-senses multimedia work by Maja Delak and Luka Prinčič is a genuine cut’n’paste, a swift image and sound collage that allows for many readings and listenings, many feelings and reflections. But only after one tears away from the fleeting images and voicings; only after one dances to the wild riot grrrl version of You Don’t Own Me, with Wanda and deViator jumping all over the stage. And this may very well be the most beautiful achievement or co-effectuation Maja Delak and Luka Prinčič’s collaboration: their accessibility and clarity – despite the work’s decentredness – makes their work is inspiring and empowering. Ultimately also because the “you” from You Don’t Own Me does not refer to a man made of flesh and blood but rather to Martell or some other corporation that imposes patriarchal patterns of behaviour for everyday use.
17 shows,
Downloads are currently restricted. If download error please go to www.soundcloud.com/dj-andre-6. Each week there will be a small tasty selection of tunes from different genre’s on the Beatport and Trackitdown charts as well as a few juicy favourites thrown in for good measure. Different genre’s well be rocking out to will include: trance, electro, house music, hard dance, and maybe some surprise flavours thrown in along the way. Go to Facebook.com/DjAndreAsh to interact with the show.
71 shows,
The podcast about movies, from our point of view. Which may or may not make any sense. You’ll laugh. You’ll cry. You’ll wonder how the hell two guys can go on so long about basically nothing.
20 shows,
A collection of tracks created by members of MacJams.com To find more information on specific songs, go to MacJams.com and search for the song there.
2 shows,
Z Radio is about one thing, playing a variety of music that you could never hear anywhere else, or would most likely never hear anywhere else. All access to the show is free.
1 shows, 8 years ago
Octex - aka Jernej Marusich Octex's (aka Jernej Marusich musical path started in late 90s, when he fell in love with the sound of old analog synthesizers and started conducting Organic Crackle and Tone EXperiments (Octex). His debut album Idei Laehsna (Tehnika records, 2002) received high praises from both critics and the public and got proclaimed as one of the best post Basic Channel dub-techno releases. But always looking forward his next album Variations (rx:tx, 2005) took his experimentation even further and deeper, which confused some of his fans a little, but gained him new ones, and got him some really good reviews in the press. In the mean time he has lent his remixing skills to the likes of Laibach, Ultra-Red, Marko Furstenberg, Spyweirdos... 2008 will see the release of new EP and his ambient album Dead Center of Nowhere, originally recorded as a sequel to Idei Lahesna, but till now never released. It will finally see the day of light as a shared release between proclaimed Thinner net label and rx:tx. In 2003 he has received Slovenian Boomerang Award for best new comer of the year, and in both 2002 and 2003 he was selected as one of the 10 finalist for Radio France International Electronic Music Award. His live sets have taken him all over Europe to events such as: Club Transmediale (Berlin), Sprawl (London), Dispatch (Belgrade), Exit (Novi Sad), Cynet Art (Desden), Meet Me, Progress festival... In 2008 he will be presenting his new audio/visual performance. Having already done video for his tracks (which also ended being played on Viva, Onyx TV...) he had developed a system that allowes him to automatically sync visuals to his improvised live performances. WEB LINK & CONTACT: http://www.octex.si/ EMAIL: octex (at) soundoflj.com -------------------------------------------------------------------------------------------- o projektu / about the project ZVO.ČI.TI. (so.und.ing): ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances. The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art. The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE). Project is supported by the Ministry of Culture of the Republic of Slovenia.
1 shows, 7 years ago
The project ZVO.ČI.TI. (so.und.ing) is a series of thematically rounded radio and podcast audio broadcasts about Slovenian composers and authors of electro-acoustic sound experiments.
62 shows, 3 years ago
PARK LIFE is a Dodo dj's radioshow production on Wednesday (11 p.m) and Sunday (4 p.m) on System. (www.systemnetwork.it) The best of indie, nu-disco, alternative, chillwave. DTT: CH862 (Italy)
6 shows, 5 years ago
Podcasts from creation
5 shows, 8 years ago
U2log.com is a site run by fans and for fans. This podcast is an extension of the site and is run by fans for fans as well. U2log.com editors Chris and Christopher (and guests) chat about U2 news, reviews and whatever else is remotely U2 related that comes across their brains. U2log.com is an independent weblog about the Irish band U2. We are not affiliated with U2, Island, Interscope, Universal or Principle Management.
7 shows, 4 years ago
Aimed at showcasing the work of the Laconic Productions, Superimposition Records and associated artists. Presented by Steve Panini.
3 shows,
Terrible cuts of terrible radio shows from 104.5FM WCCX Waukesha. 10 booming watts hitting the airwaves. Random talk, some punk rock, sports talk, townie talk, fake call ins, yadda yadda. For fans of Magic, Miracles and True Believers: The story of the 1987 Milwaukee Brewers. It is hard to listen to and will make you feel embarrassed for all involved.
22 shows, a year ago
We are TankTop NYC - Bulletproof Tiger and Billy Deez outta New York City! This is our podcast series, where you'll find mixes from us as TankTop and as individual djs (including Tiger Uppercuts! by Bulletproof Tiger) Some of these are live recordings from gigs; others are studio mixes and cuts from our radio show (Fresh Baked Goods on DNBRadio.com every Wednesday 8-9PM EST). Biggups for listening! Enjoy. - @TankTopNYC | Billy Deez: @BillyDNB | Bulletproof Tiger: @TGRbass
1 shows, 8 years ago
TAO G. VRHOVEC SAMBOLEC is a sound artist and musician based in Amsterdam and Ljubljana. His works encompass audiovisual and mixed media installations, sound interventions in public spaces, composed and improvised (electro)acoustic music, sound design for video, and music for silent film. Born in 1972 (Ljubljana – Slovenia), he received BA - main subject clarinet - at Trondheim Music Conservatory (Norway), BA in music composition and MA at Interfaculty Image and Sound – ArtScience, both at The Royal Conservatory in The Hague - The Netherlands, where he also followed Sonology course. His works were shown and performed in various art galleries, museums and music festivals across Europe. Among others: Public Space With a Roof Gallery - Amsterdam, State Museum of Contemporary Art - Thessaloniki - Greece, Ars Electronica - Festival for Art Technology and Society - Linz - Austria, De Appel - Amsterdam, Madrid Abierto - Madrid, Museum of Modern Art - Ljubljana, Kapelica Gallery -Ljubljana, SKUC Gallery - Ljubljana, Musica a Metronom - Barcelona, Gaudeamus Music Week – Amsterdam, Forum neuer Musik - Köln, EuroJazz Festival - Tomar – Portugal, festival of contemporary music Contemporanea 2004 – Udine, AV Festival - Newcastle Upon Tyne, CMMAS - Morelia, Mexico ... He was commissioned pieces by Barton Workshop Ensemble (Amsterdam), Percussion Group The Hague and Slovenian Cinematheque. In 1996 he formed together with Tomaz Grom electroacoustic improv duo TILT, with which he performs live. As improviser he has performed with Will Guthrie, Alzheimer Trio, Riccardo Massari Spiritini, The Same Girl (Gilles Aubry, Nicolas Field), Sabine Vogel, Dirk Bruinsma, ... So far he has released two CDs with duo Tilt. He is founder of international cycle of sound events, lectures and workshops Bitshift in Kapelica Gallery - Ljubljana, which started in 2001. In 2008 he got awarded Startstipendium from The Netherlands Fundation for Visual Arts, Design and Architecture - Fonds BKVB. WEB LINK: http://www.taogvs.org/ -------------------------------------- o projektu / about the project ZVO.ČI.TI. (so.und.ing): ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances. The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art. The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE). Project is supported by the Ministry of Culture of the Republic of Slovenia.
21 shows, 5 hours ago
Hver uge følger vi en musiker, en sanger eller en dirigent fra DRs ensembler, og hører om forberedelserne med et konkret musikalsk værk. Musik forandrer liv. Musik er passion sat i scene af faglighed.
8 shows, 2 years ago
The Queen from Astoria, Queens, Candy Samples talks about music, politics and her favorite recipes in this podcast.

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84 shows, 9 years ago
San Francisco Bay Area Podcaster, Ed Pinto, talks about a number of topics that range from world news - restaurant reviews - gardening and a whole lot more. You may not agree with Ed on everything, but hopefully you find yourself entertained.
2 shows, 9 years ago
On August 21, 2008 the Beaux Arts Trio said farewell in an unforgettable last American concert at Tanglewood in Massachussetts. Performance Today's Fred Child hosted an exclusive live webcast of the concert.
5 shows, 8 years ago
Meet the Parker Quartet, Performance Today's 2010 artists-in-residence. Explore this excellent young quartet in a series of performance-interviews that take you deep inside their beautiful music, and gives you a closer look at them as individual artists.
10 shows,
"Insight out...The Naked Truth" A conversation about the Human Condition and what to make of it with Errol & Rochelle Strider Strider Innertainment" combines philosophical inquiry, spiritual discovery, social development and psychological growth with comedy, theater, media, poetry and photography. TUNE IN and ENJOY! Drawing on a variety of teachings from various traditions of spirituality, psychology, philosophy and revelation, Errol and Rochelle present ideas and ideals in a way that makes them accessible, relevant, funny and poignant. The purpose of "Insight Out--the Naked Truth" is to help you (en)lighten your life by getting to the core of any issue that concerns you (issues that frustrate, confuse, bug, disturb you or just boggle the mind--hence "The Naked Truth") So much of the troubles and suffering in our world come from limited perspectives, un-challenged beliefs and assumptions and last but not least, taking ourselves way to seriously. Many humans struggle unnecessarily because the context in which we attempt to understand our lives, establish values and make decisions is conditioned by ignorance, fear and confused thinking. Through conscious conversation, sketches, poetry, music, guests, interviews, and call in "Insight Out--the Naked Truth" exposes the human condition in order to expand our awareness, develop wisdom and make life a more joyous and creative experience. Please join us and participate in the conversation. Please visit our web site for more information about "Strider Innertainment" where you can hear previous radio broadcasts and watch videos of live performances. https://thelaughingheart.wordpress.com/ To get a head start on our philosophy and the often whimsical way it is delivered, go to Errol's blog, http://insightoutwitherrol.blogspot.com/
7 shows,
This series features unique, personally curated content inspired by Born Sinner, the new album from J. Cole. Be sure to check back for more Born Sinner stories. Born Sinner Available Now.
6 shows, 2 years ago
Process Driven with Jeffery Saddoris is a podcast about creativity and what it means to those who do more than make art. Frank, in-depth conversations with makers and creators from a wide range of disciplines, including photography, art, film and literature explore not only about the what and the how, but also the why...
68 shows, 8 years ago
Thanks for subscribing to the Beggars Group Videocast. On a pretty regular basis, we will be publishing exclusive video content from the artists on 4AD, Rough Trade and XL Recordings.
12 shows, 9 years ago
The Bulleit Originals gigs explore the enduring influence of original soul, funk, jazz and blues on contemporary music. Following gigs in Glasgow and Edinburgh, this series profiles key artists in those scenes, featuring the likes of Soul II Soul Soundsystem, Martha High and Marlena Shaw. Bulleit Originals continues where the Bulleit Sessions podcast series left off. The Bulleit Sessions featured blues guitar legend Guitar Shorty playing with various acts from the Fence Collective. For more information on Bulleit Originals, Bulleit Sessions, events and activities, visit www.radiomagnetic.com/bulleit. Bulleit Bourbon should be enjoyed responsibly. For more information go to www.drinkaware.co.uk.
287 shows, 2 years ago
The weekly show discussing all manner of church technology; sound, lighting, video and projection. Hosted by Mike Sessler of www.churchtecharts.org
34 shows, 7 years ago
Festival Fishbowl is live streaming chat show hosted by Fringe favourite Jason Chong and a stable of co hosts and features interviews, reviews, competitions, giveaways, challenges and performances. It will be broadcast every Monday to Friday from February 18 to March 12 from 5pm – 6pm.